Deep bass on the opening, and a raspy - almost Macy Gray vocal seeps in. The instrumental layering is smart and falls and rises in the right places. The backing/additional vocal sits perfectly in the middle.
It’s sensual, it’s rich, Chinwe deserves more ears. Start here, and move through everything you can find.
According to Arial Ten, he makes ‘silky dance music’, and we agree. Come, and Gone is closer to a late-night after-hours tune than an out-and-out party anthem. But that’s a genre we need more of in the world anyway. Let It Lie, featuring Ramya Pothuri, has the same vibe; her vocals are so complementary to the instrumental. Arial Ten is gathering fans at a rapid pace. We’re happy to be here early.
Riddle of 25, a track from her 2025 Canine album. Not the best track on the album, but it shows off Beren’s distinct tones exceptionally well.
What is apparent from going back through her releases is that the indie-pop girl theme is strong, and the bass is always good.
When we first heard Sofia, it swept us clean away. Early in the music career, in terms of releases, yes, in terms of skill, no.
Spfia has a driving snare, but it completely softens with the vocals, making for a very, very easy listen.
Will Smith (another song) has the Lo-Fi Girl vibe, while K, a much earlier release, is rich and bass-meaty.
Still, the vocals are so airy. Adore.
Mia Gjakonovski has the emotional intensity and sweetness of delivery that is close to Sufjan Stevens.
When listening to Lonely Lover, the confidence in the delivery, with just a piano and some soft backing vocals, is stunning.
Highly underrated. Highly deserves your attention.
